I love Thanksgiving. It is a time of reflection to really think about all the things to be thankful for in our life. I’m very thankful for my family, my health and my country. I’m also thankful for my art. As a photographer, I’ve got the great fortune of seeing things that nobody else sees. But more importantly, for me anyway, is that I’m thankful for the legacy that I’ll leave behind and I take that very seriously. The photographs I have made, and hopefully will continue to make for many years to come, will Continue reading
Yesterday, I was sitting at my at BlackRapid studios and realized I hadn’t seen daylight since early morning. Needing to get up and move, I decided to take a walk in the chilled, but clear, November air. Out of habit, I grabbed my Sony NEX-7, hoping that there was some juice in the battery.
As I ventured out, I realized that there was nothing but harsh light thanks to a, rare for Seattle, cloudless sky. I decided to look for shadows and reflections. Walking around Seattle Center, a mid-city park originally build for the 1962 World’s Fair, I took a shot here and there of nothing exceptional. As I rounded the corner of the Experience Music Project building, I saw these fantastic shadows against the metal facade of the building. Not really knowing how to capture what I saw, I worked the scene for 10 or so minutes (I had to get back to the office) and tried many different angles. This is the one I like the most.
My point here is two-fold. Firstly, I had my camera in my hand. Had I just taken a walk and not grabbed my Sony, I would have lost out. Sure, I could have gone back another day, but timing is everything and I might not get a chance for a long while. Secondly, I worked the shot. The first 10 or so were, well, boring and not exactly getting it. You may or may not be moved by this image, and that’s okay. But, I like this image and, really, that’s what’s important. I hope you like it, but if not, grab your camera and get out and shoot. That’s the whole enchilada anyway, isn’t it?
There seems to be an ongoing debate regarding whether or not the DSLR will go the way of film in the near future. With the improvement of cell phone cameras, Micro 4/3s and mirrorless cameras, some people seem to think there won’t be any need for the big, bulky and heavy DSLRs. Up until now, I’ve written off the debate as a premature. Until now…
What’s changed my mind? Well, on my trip to Oaxaca, I found myself grabbing my Sony NEX-7 more often than not. Until the introduction of the new Sony Zeiss 16-70 f/4.0 for Alpha lens, I wasn’t in love with my Sony.
Previously, I was using the Sony 18-200 f/3.6-6.4. Costing over a grand, I just didn’t think it performed up to the standards of even my Nikon D7000, never mind my Nikon D800. Yes, the NEX-7 has the same sensor as the Nikon D7000 and D71000, but I found the lens lacking in focus speed and, at f/6.3 at the zoom, low light capabilities were nil. The new Zeiss f/4.0 lens changed that. As with any camera body, it’s all about the glass. The Sony Zeiss is fast, both in aperture and focus. No, it’s not a 2.8 or even a 1.8 lens, but at f/4, it’s sharp with great color contrast. Honestly, when I look back on my daytime shots in Oaxaca, it’s difficult to tell which camera I used. Night shooting is a different story. The D800 and Nikon glass outperforms the Sony in every way.
I’m sure the technology will just keep getting better, but I still have to wonder if these smaller cameras will ever catch up to the standard SLRs. Light is light and my larger, 2.8 Nikon lenses capture it beautifully. But for walking around the city, shooting street shots and every day things, the Sony is amazing. If I need to shoot in the studio, weddings, or at night, nothing beats my D800 and speed lights.
The bottom line, for me anyway, is that owning both will cover everything I need. The Sony NEX-7 is an amazing camera for what it does, but it can’t compete with my D800.
I’m often asked if I have any advice for a person just beginning their photographic journey. The main reason, if not the only reason, to keep snapping the shutter is to create images that come from the heart. Pay no attention to what others say. Look at other people’s photographs and when you’re out there camera to eye, try to pull out what is your vision and express that through the photographs. Love your own photographs because, frankly, nobody else will, initially. It takes time to find your voice so make sure you take your time and take baby steps. Don’t think of it as your financial future, because you will not likely make a living as a photographer. Do it because you love it. It will show with every image.
As I write this, I’m 30,000 feet over southern Arizona on my way back to Seattle after an amazing, exhausting and exhilarating adventure in Oaxaca, Mexico for the Day of the Dead celebrations. Organized by Jeffrey Chapman, of Within The Frame Adventures, we were lucky to have David Duchemin along for inspiration. What made this trip, for me, was the incredible group of diverse talents that we had on this journey. Ten creatives all bound by Continue reading