For over 35 years, Paul Weller has been at the top of my list of favorite musicians. My favorite band in high school was The Jam with which Paul was the singer and guitarist. In college, Style Counsel was one of my favorites. And, ever since, Paul’s solo recordings have always brought me hours of enjoyment. I was extremely honored, and nervous, to be able to meet and photograph him at KEXP last week as well as his show at The Neptune. I can only hope that my images did him justice!
My calendar was fairly clear yesterday, so I wanted to go out and make some images with my Nikon 300mm f/2.8 prime lens. I decided to head to Woodland Park Zoo. While I was at it, I purchased a year’s pass for $49. If you think about it, that’s a great deal. I can pick up my camera and go anytime the urge hits. The Zoo is a great place to shoot. Not only are there amazing animals, but there’s also a bounty of people ripe for street photography. This was my time to shoot the animals. It was an extremely warm day for the Northwest, so the animals weren’t too active. This, too, became an exercise in patience. I spent about 3 hours at the Zoo, mostly watching the bears and lions sleep. But, I did get a few shots that I really like. Now that I have the pass, I can go at the drop of a hat and try different times of day, framing, exhibits and camera/lens combos.
Damien Jurado, a humble, sincere singer/songwriter from Seattle, opened for Jason Isbell last night at The Moore Theatre. Jason Isbell, if you don’t know him, is an outstanding songwriter from Alabama who begain as a member of the Drive-by Truckers. His music is firmly grounded in the Muscle Shoals tradition. If you haven’t heard him, you should definitely check out his music.
Flashes of Hope is a non-profit organization that enlists photographers around the country to create a black & white portrait of kids with life threatening illnesses. This year, I participated in two shoots one week apart at Camp Korey, a Paul Newman supported camp in Carnation. It’s an incredible experience to photograph these brave kids. This was my second year to work with this great organization.
My previous post was simply my reasoning as to why I personally won’t be buying this lens (at least as of now). That said, if when it comes out and it seems to be kissed by the hands of God, I might be convinced to make the upgrade. With the information I have now, I won’t be making a pre-order as I don’t think it will make my images any better than the ones I create with my current 24-70.
Some say that the current lens is over 10 years old and, therefore, can’t hold up to the newer 36mp sensors. That could be a valid point, but, again for me, I don’t see any issues with this lens. I’ve used it on every camera since the D50 including the d90, D7000, D7100, D800, and my current cameras. I’ve never had an issue with this lens. On my D810, the images look crisp and the bokeh is sweet. Again, the new lens could surprise me. But…. let’s face it…. it might turn out to be less sharp, or have worse bokeh. I can happen.
Now, let’s look at the facts that we do have:
- Both have maximum aperture of f/22.
- Both have minimum focus of 1.25 feet.
- Current version has 15 elements in 11 groups. New one has 20 elements in 16 groups. This could be good or bad depending on the glass and configuration. We’ll have to wait and see.
- Both have 9 rounded diaphragm blades.
- The new lens has image stabilization. I personally don’t feel that I need it. If you have a consumer level camera or shaky hands, the extra stops that come with VR could be a benefit. On the other hand, you can pick up the fantastic 24-120 f/4 and only lose one stop of light but pick it back up with the VR plus save $1400. With that money, you could pick up one or two f/1.8 lenses for when you need extra speed.
- 77mm front thread vs. 82mm. For me, that means another $200-500 for new filters. A B+W polarizer is $200-230 for an 82mm filter.
- 1.98 pounds vs. 2.35 pounds. Not a huge deal, but with everybody going to mirrorless to shed the weight, this could be an issue for some.
Of course, all this is speculation. The lens could come out in August or September and be a downgrade… who knows. It’s Nikon afterall. If, on the other hand, it comes out and appears that it will help me make better images, then I’m in. All I’m saying is that, for now, I won’t be ordering this lens as it may not be a big enough get for my needs.